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The “podcast bubble,” as it’s now being called, was a period of extraordinary productivity for Gimlet in particular, which produced forty-five different shows during its nine years of activity, including limited series like The Habitat; weekly chat shows like The Cut on Tuesdays; recurring documentary series like Crimetown; kids’ shows like Story Pirates and Chompers; scripted dramas like Homecoming and Sandra that starred big-name actors like Oscar Isaac and Kristen Wiig; and branded podcasts for companies including eBay, Tinder, and Gatorade. And with all those shows came a sudden abundance of podcast-related jobs.

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