“Dracula: A Feminist Revenge Fantasy, Really,” puts a feminist, blood-chilling twist on Bram Stoker’s 19th-century bestselling novel, “Dracula.” The show premieres this Friday at the Ethel M. Barber Theater. Directed by Communication graduate student Jasmine B. Gunter and written by Kate Hamill, the production turns the well-known classic on its head, reclaiming the novel’s misogynistic.
Will Arbery’s “Heroes of the Fourth Turning” is the type of play that leaves you quietly unraveled. It’s almost painful to conjure words of reflection. Right now, I find myself in the same state as I was after the Wirtz production’s final dress rehearsal on Thursday: grasping at air for words to aptly express my.
This piece contains spoilers. Exploring unlived lives and breaking societal bonds, the Wirtz Center for the Performing Arts’ production of “Blood Wedding” illuminated the hardships of forgiveness, love and healing through multilingual communication. The Spanish tragedy, translated from Federico García Lorca’s original stage play, brought forth the destruction of unfulfilled desires while emphasizing the actions.