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In Artforum’s January 1968 issue, artist Dan Graham wrote an appraisal of sculptor Claes Oldenburg’s many proposals for public monuments, an exhibition of which had been on view at the Museum of Contemporary Art in Chicago. “Rather than attempting to ‘withstand’ or ‘make their mark’ on Nature,” as Graham writes, Oldenburg’s public works “are temporal through their contingent interrelationship with a specific environment.” From Pop Tart Monument to Small Monument for London Street: Fallen Hat (for Adlai Stevenson), from his imagined Ellis Island Monument to the Moving Bat, the artist’s ideas always
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