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Talbot Rice Gallery presents Emeka Ogboh: Song of the Union in Edinburgh

Talbot Rice Gallery presents Emeka Ogboh: Song of the Union in Edinburgh Emeka Ogboh, Song of the Union, 2021. 7-channel sound installation, duration infinite. Burns Monument, Edinburgh. Courtesy Talbot Rice Gallery, University of Edinburgh. Photo: Sally Jubb. EDINBURGH .-Talbot Rice Gallery and Edinburgh Art Festival announced that a new sound installation by artist Emeka Ogboh (b. 1977, Nigeria) was unveiled at Edinburgh’s Burns Monument. The new public artwork, entitled Song of the Union, co-commissioned by Talbot Rice Gallery and Edinburgh Art Festival, is a response to the ongoing theatre surrounding the UK’s departure from the European Union. On January 29, 2020, as the United Kingdom departed the European Union and as a final gesture of farewell, Members of the European Parliament took to their feet in Brussels, held hands and sang Robert Burns’ “Auld Lang Syne”—a song which has come to represent solidarity, friendship and open doors. The following week, Nigerian

Jef Geys s Playful Iconoclasm Continues to Inspire

Jef Geys s Playful Iconoclasm Continues to Inspire
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Researchers Create Whitest White Paint - Maurizio Cattelan Exhibition

Researchers Create The Whitest White Paint Purdue University engineers have created the whitest paint yet. Coating buildings with this paint may one day cool them off enough to reduce the need for air conditioning, the researchers say. The researchers believe that this white may be the closest equivalent of the blackest black, “Vantablack,” which absorbs up to 99.9% of visible light. This was the controversial pigment that artist Anish Kapoor exclusively copyrighted in 2016. The new whitest paint formulation reflects up to 98.1% of sunlight – compared with the 95.5% of sunlight reflected by the researchers’ previous ultra-white paint – and sends infrared heat away from a surface at the same time.

Paula Cooper Gallery opens an exhibition of recent work by Justin Matherly

Paula Cooper Gallery opens an exhibition of recent work by Justin Matherly Installation view, Justin Matherly: Compost, Paula Cooper Gallery, 524 W 26th Street, New York, January 7 – February 20, 2021. Photo: Steven Probert. © Justin Matherly. Courtesy Paula Cooper Gallery, New York. NEW YORK, NY .- A presentation of recent work by Justin Matherly, the artist’s fifth one-person show with Paula Cooper Gallery, opened Thursday, January 7 at 524 West 26th Street. Building from his previous exhibitions in both Zurich and New York, “Compost” references the sculpture of Greek and Roman antiquity to examine the human figure and convalescence as major tropes throughout art history. Matherly’s rough-hewn objects—cast in concrete, gypsum, fiberglass resin, and other contemporary materials—allude to corporeal and historical decay and entropy, eternal regeneration and continuity.

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