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Class Leaders and Tipping Point for Advanced Capitalism
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a national theater decided to explore the social tensions on stage. in france there are no children of factory workers or of agricultural workers among the elite there s a kind of sticking together and i think there s a form of line but it s also indicative of a more general problem in our western democracies. is all of society really represented by elites. this is a rehearsal for the edouard louis play who killed my father. it s a polemical work against france s social policies. good clue if you view them are the. leaders in the dark workers as characters on stage. the theatre wants to give all sectors of society of voice and a stage and this approach is also that of the theaters drama school of all skill
wants to give all sectors of society of voice and a stage and this approach is also that of the theatres drama school skill use of. france is very much behind here to scene is desperately want this does not render society. so what else is. not today is working to change the ensemble so that it reflects french society better with all its ethnic groups and all its social differences if positive discrimination is needed to recruit young people from less educated families so be it he thinks that otherwise everything will stay the same. strong sports national theatre is the only one to enjoy special national theatre status outside of paris many small cities don t have any theatres at all centralisation is one of france s major problems and there was a huge gap between the center and the periphery. this imbalance is also reflected