you guys are working hard for once. the american workplace is our home in many ways. where s my sandwich? we all need a reason to get up in the morning. lutz made us do it! no, it was frank! the american office is iconic. how many people can i fire? uh, none you re picking a healthcare plan. okay, we ll table that for the time being. terrible bosses. you ve got spunk. well, yes. i hate spunk! and terrible work mates. are you kidding? do these not bend the [bleep] back? no. everybody trying to get along. one problem with hiring women is that they re frail and breakable. is it possible you re thinking about lightbulbs or your hip? hilarious. what do you say to that? whoa! ow! what s so tough about earning a living? yeah. have you ever done it? no, but i could. ha! lucille ball with the chocolates. always funny. if one piece of candy gets past you and into the packing room unwrapped, you re fired! all the writers needed to
where s my sandwich! we all need a reason to get up in the morning. he made us do it! it was frank! the american office is iconic. how many people can i fire? none. you re picking a health care plan. okay. we ll table that for the time being. terrible bosses. you ve got spunk. well i hate spunk. terrible workmates. are you kidding? do these not bend the [ bleep ] back? no. everybody trying to get along. one problem with hiring women is that they re frail and breakable. is it possible you re thinking about light bulbs or your hip? hilarious. what do you say to that? whoa. ow! let s talk about earning a living. yeah. have you ever done it? no, but i could. ha! lucille ball with the chocolates, always funny. if one piece of candy gets past you and into the packing room unwrapped, you re fired. all the writers needed to say was lucy and a conveyor belt, you re good. some of the most memorable episodes of i love lucy
and i remember talking to myself on the way home. i said, what piece of ground do i stand on that nobody else stands on? so, i ll write about the life of a writer. writers are lazy. people write what they know rob, we got a sketch due. now, don t crack up on us. there s nothing to worry about, kids. i have got an idea! alan brady will play the part of a talking bowling pin. i thought it was the greatest idea because in most sitcoms, you didn t know what the husband did for a living. the second dance number should come before the big sketch. gee, i don t know. i like it! now i like it. yeah, me too. yeah, i like it too. what do you know? look at the tie you re wearing. i loved the fact that it was a glimpse into the writer s room. just seeing how shows worked was just so fascinating to me. and, of course, mary tyler moore, how could you not fall in love with mary tyler moore? this isn t a whoopee dress rob, it s years old. yeah, but it still works. gi
the dick van dyke show was laugh out loud funny. the dick van dyke show! i can clearly remember it was the dick van dyke show, black and white. that s what got me into sitcoms. that was ground-breaking. first of all, you had carl reiner. carl reiner got his start on your show of shows with imogene coca and sid caesar. which was not a sitcom, it was a variety show. it s supposed to be tent. the writers room abounded in talent. it just imbued carl with, that s a place, that s a gold mine. a writers room is a gold mine. i remember talking to myself on the way home and i said, what piece of ground do i stand on that nobody else stands on? so i ll write about the life of a writer. writers are lazy. people write what they know. we got a sketch due.
was a variety show. it s supposed to be tent. the writers room abounded in talent. it just imbued carl with, that s a place, that s a gold mine. a writers room is a gold mine. i remember talking to myself on the way home and i said, what piece of ground do i stand on that nobody else stands on? so i ll write about the life of a writer. writers are lazy. people write what they know. we got a sketch due. there is nothing to worry about, kids. i have got an idea. alan beatty will play the part of a talking bowling pin. i thought it was the greatest idea because in most sitcoms, you didn t know what the husband did for a living. the second dance number should come before the big sketch. gee, i don t know. i like it. now i like it. yeah, me too. i like it, too. what do you know? look at the tie you re wearing. i love the fact it was a