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BRB bring Sir Peter Wright's 1984 The Sleeping Beauty back to Islington and it has an intimate grandeur – Seen and Heard International

BRB bring Sir Peter Wright's 1984 The Sleeping Beauty back to Islington and it has an intimate grandeur – Seen and Heard International
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Review: THE SLEEPING BEAUTY, Sadler's Wells

Is there anything similar to The Sleeping Beauty overture? With Tchaikovsky filling the theatre with full-blown fairy tale drama - it's quite the opener.

Birmingham Royal Ballet: The Sleeping Beauty

It's 40 years since Sir Peter Wright's production of The Sleeping Beauty for the Birmingham Royal Ballet first appeared. Faithful to the original Petipa choreography, he was influenced, too, by later productions – Diaghilev's Ballets Russes version, for instance, and Nikolai Sergeiev's staging for the Vic-Wells (later Royal) Ballet. So, BRB's current production at Sadler's Wells offers a pedigree that goes back to the very heart of Russian classical ballet – and all of the demands that go with that. To say that Sleeping Beauty is a challenge for any company is putting it mildly. There are numerous starring roles and set pieces, solos and pas de deux, and for BRB – a company that is on truly top form – this became an opportunity for pure on-stage bravura. Enrique Bejarano Vidal and Beatrice Parma pulled out all the stops as the Bluebird and the Enchanted Princess (characters from Russian fairy tale). The Puss-in-Boots and the White Cat pas de deux

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