In the wake of the Fitzwilliam Museum’s exhibition Black Atlantic about its founder’s ties to the slave trade comes the Royal Academy’s Entangled Pasts, less of a mea culpa than an examination of conscience by an institution which, although hailed by its first president Sir Joshua Reynolds as an ‘ornament’ of Empire, was innocent of
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From a pregnant woman tossed from a slave ship to reworkings of Titian and Da Vinci featuring black faces, this show aims to redress the RA’s biased version of art history – but it could all have been more daring