Hannah Bentley reviews Daisy Norton’s and James Fellas-Laurie’s adaptation of MOJO by Jez Butterworth - a fun and lively production of a dark-humoured play that explores the toxic power dynamics and gangster culture of the Atlantic Club in 1950s London, with unpredictable plot twists.
"The pace of the play was unceasing, without a single line slip, and while this sometimes meant the emphasis of certain words were lost, it created a pulsing energy." Ben Willows reviews Pitch Production's MOJO.