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10 #تطبيقات حققت نجاحاً كبيراً خلال 2020 رغم #كورونا
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10 تطبيقات حققت نجاحًا كبيرًا خلال عام 2020 بالرغم من جائحة كورونا
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Chris Stokel-Walker/TikTok
On December 14, TikTok announced it had entered into partnership with Samsung, one of the world s biggest supplier of smart TVs, to roll out an app â initially in the UK and Europe, then further afield.
Just as YouTube moved from short-form to long-form and from desktops to smartphones to TVs, TikTok is heading in a similar direction.
TikTok s entrance into the TV world could signal new competition down the road for Netflix, Disney, and Amazon.
Given the app s exponential rise, and the way it s almost entirely rewritten the world of digital video in its few short years of existence, you d be a fool to bet against it making waves.
San Francisco –YouTube is supposed to be a vibrant space for new creativity, but in practice creators are sharply hampered by the site’s “Content ID” system. A new whitepaper from the Electronic Frontier Foundation (EFF) takes a deep dive into the confusing process of getting a video past YouTube’s copyright filters, and what the system means for free speech and creativity on the Internet.
“YouTube dominates the online video market, and Content ID dominates video makers’ experiences there,” said EFF’s Katharine Trendacosta, associate director of policy and activism. “Instead of making the best video they can, they have to make the best video that will pass through Content ID a system that does a clumsy job of finding actual copyright infringement, but does a great job of ensnaring videos that don’t infringe at all.”