when you hold a camera steady for one and a half, two hours, you re locking all of your shoulder muscles and upper back muscles, you re sitting there rock steady. it does start to get sore and it does start to affect you. field producer susan likes to remind me, jokingly, that it s my job, i signed up for it. and that s fine too. i get it. it is heavy but it is my job and i love it. i can t take this camera anymore. i m done, i m done. that s what i ve been waiting for. you feel that? i could probably count on one hand the number of inmates that i wouldn t allow to hold that camera. i mean, we ask a lot of these guys, and there s a trust issue there. they open their homes to us. it may not sound like that but their cell is their home and they allow us to come in and they answer very personal questions. we ask them a lot. so i don t have any problem allowing inmates to hold the camera. i like it. focus. what do you think? you re better-looking than i thought. the camer
i got the camera. relax your hands. absolutely it s an ice-breaker. we might have a new lockup shooter. right there. bam. i don t look for that opportunity but when i hear people, how much does that weigh, hey, man, that has to be heavy. how s your back? how s your shoulder? it s got to hurt. i ll go ahead and just say, here you go. check it out. brian gets lazy in his shooting so he turns it over to a detention officer. kind of heavy after a while. to be carrying this around, man, it s probably pretty heavy. everything that goes along with the camera, the audio, the batteries, the microphone, it comes in around 26 to 27 pounds. that s not comfortable for like for hours and hours and hours like that? i ve been doing this job for almost 20 years and it s not really the weight of the camera. it s holding it steady. you need some steadying thing, too. spread your feet a little bit. there you go. when you hold a camera steady for one and a half, two hours, you re lo
i got the camera. relax your hands. absolutely it s an ice-breaker. we might have a new lockup shooter. right there. bam. i don t look for that opportunity but when i hear people, how much does that weigh, hey, man, that has to be heavy. how s your back? your shoulder? it s got to hurt. i ll go ahead and just say, here you go. check it out. brian gets lazy in his shooting so he turns it over to a detention officer. kind of heavy after a while. to be carrying this around, man, it s probably pretty heavy. everything that goes along with the camera, the audio, the batteries, the microphone, it comes in around 26 to 27 pounds. that s not comfortable for like for hours and hours and hours like that? i ve been doing this job for almost 20 years and it s not really the weight of the camera. it s holding it steady. you need some steadying thing, too. spread your feet a little bit. there you go. when you hold a camera steady for one and a half, two hours, you re locking
relax your hand. absolutely it s an ice-breaker. we might have a new lockup shooter. i don t look for that opportunity but when i hear people, how much does that weigh, hey, man, that has to be heavy. how s your back? your shoulder? it s got to hurt. i ll say, here you go. check it out. brian gets lazy in his shooting so he turns it over to a detention officer. heavy after a while. to be carrying this around, man, it s probably pretty heavy. everything that goes along with the camera, the audio, the batteries, the microphone, it comes in around 26 to 27 pounds. that s not comfortable for like for hours and hours and hours like that? i ve been doing this job for almost 20 years and it s not really the weight of the camera. it s holding it steady. you need some steadying thing, too. spread your feet a little bit. there you go. when you hold a camera steady for one and a half, two hours, you re locking all of your shoulder muscles and upper back muscles, you re sit
there you go. when you hold a camera steady for one and a half, two hours, you re locking all of your shoulder muscles and upper back muscles, you re sitting there rock steady. it does start to get sore and affect you. field producer susan likes to remind me, jokingly, it is my job. i signed up for it and that s fine, too. i get it. it is heavy but it is my job and i love it. i can t take this camera anymore. i m good. i m done. oh, my gosh. you feel that? i could probably count on one hand the number of inmates that i wouldn t allow to hold that camera. i mean, we ask a lot of these guys, and there s a trust issue there. they open their homes to us. it may not sound like that but their cell is their home and they allow us to come in and they answer very personal questions. we ask them a lot. so, i don t have any problem allowing inmates to hold the camera. right there. focus. what do you think?