Arie Wallert, a Dutch scholar, ran scientific tests on Philadelphia Museum of Art's Lady With A Guitar. Long thought to be a fake, the painting in fact may be authentic.
SOMETIME IN JANUARY 2016, the Instagram profile known as “@whos＿＿who” went live. Who is who? A big question, in general. Anonymous and prolific, the account places apparently similar images, usually of artworks, in comparative assemblies published as single posts. At minimum, these posts feature two artworks, but often three, four, or more crowd the frame. Offered without explanation by their anonymous comparer, the resulting combos of artworks are blank screens for their beholders’ projections. The act signed @whos＿＿who was inaugurated by a jaunty pairing of two works side by side: one by Nicole
SOMETIME IN JANUARY 2016, the Instagram profile known as “@whos＿＿who” went live. Who is who? A big question, in general. Anonymous and prolific, the account places apparently similar images, usually of artworks, in comparative assemblies published as single posts. At minimum, these posts feature two artworks, but often three, four, or more crowd the frame. Offered without explanation by their anonymous comparer, the resulting combos of artworks are blank screens for their beholders’ projections. The act signed @whos＿＿who was inaugurated by a jaunty pairing of two works side by side: one by Nicole
The Arthur Ross Gallery’s new exhibition features 17th-century Dutch genre paintings paired with rare books from the Penn Libraries collection. On display until July 25, “An Inner World” focuses on contemplation.