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In his score to LeSean Thomasâ anime series about a Black samurai in medieval Japan, the Los Angeles musician aligns his visual obsessions with his wide-ranging musical instincts.
Midnight movies and anime have long played a crucial role in Flying Lotusâ aesthetic universe. Now, between the recently established film division of his Brainfeeder label, numerous scoring projects, and his foray into directing with the animated feature
Kuso, the artist born Steven Ellison is increasingly making his mark on film as well as music. Itâs a natural development for an artist who cites the influence of Shinya Tsukamotoâs grimy cyberpunk body-horror nightmare
During the first coronavirus shutdown in Japan last year, Daihachi Yoshida had an epiphany.
“I live in the suburbs, and when I went to a local bookstore, the queue for the cash register was longer than I’d ever seen before,” he recalls. “Everyone had been staying at home, and they’d gotten sick of watching TV, so they’d go there…. It gave me a bit of encouragement: in times like that, people still come back to books.”
The public’s reading habits are a subject of particular interest to the 57-year-old filmmaker, whose latest movie takes a deep dive into the troubled waters of Japan’s publishing industry.