I’m like a lot of writers, happiest when lost in worlds of my own creation, most uncomfortable when asked about those worlds. I want to be the person who, when questioned, raises her chin and says, “Yes, this is my project. And this is why people need it.” I applied for the Raindance Pitching Competition, knowing that it would force me to abandon my comfort zone, to practice, and get comfortable with presenting my work.
I had a script that I had just finished, a comedy-drama called
Tough Old Broad, that was developed with the support of Screen Ireland. I really do love,