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Steve Griffin, Deseret News
At just 11 years old, Efren Corado Garcia traveled with a human trafficker from Guatemala through Mexico, making his way by himself across the U.S. border to the hope of a better life.
His mom, who had paid the trafficker, was already in California.
“All of those (immigrants’) stories come from the same place. It really is . because there is a need that is not being met, and in fact there are many needs that are not being met from housing stability, just food, and just financial support that allows you to live. It’s really as simple as that it’s people running away from poverty and death,” Garcia said.
Cadence
A unique mix of pieces two of them originally planned for live performance last spring, and one created during the past year specifically for online presentation came together for Ririe-Woodbury s
Cadence virtual production in a way artistic director Daniel Charon didn t quite plan for. This show wasn t conceived with a thematic through line, but one emerged through the process, Charon says. [Choreographer Charles O. Anderson] spoke so much about howleveraging individuality can serve a collective solidarity––how what makes us all the same is our striving to be individuals. I think that there are moments of this that emerge in all of the dances on the program intheir own unique ways.
Repertory Dance Theatre had originally planned to premiere its streaming recorded version of the annual
Emerge production on Jan. 8. But the COVID-19 pandemic continues to impact arts organizations in ways even beyond forcing them to present their work to audiences in different formats.
According to Nicholas Cendese Artistic Associate and Development Director for RDT, who also choreographed one of the
Emerge pieces work on the production was delayed when dancers had to isolate due to possible COVID exposure. No one got sick, and everyone came back negative, Cendese says. Even with a careful approach, there were still issues and concerns. But one of the benefits of digital performance was that we aren t tied to dates. We re constantly moving puzzle pieces around.
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