To celebrate Mardi Gras and Black History Month, this edition of Brass, Reeds, and Percussion features remastered Dixieland recordings from the 1920s and 1930s. Robert Parker, an Australian sound engineer, has processed and remastered a number of old 78-rpm recordings so that they almost sound like modern recordings. Regardless, the fidelity is tremendously improved. We will have a number of selections from his compact disc entitled \“New Orleans: Jazz Classics in Digital Stereo.\” Today, you will hear at least two original recordings by the 1930s reincarnation of the New Orleans Rhythm Kings, one of the few jazz bands known by their initials: N.O.R.K. The other is the Original Dixieland Jazz Band: O.D.J.B.
Decades ago near Catalina Island, federal regulators concluded that the toxic pollution in the deep ocean could be far worse than what scientists anticipated.
Hal Smith: Jeff, when you think about the traditional jazz “warhorses”—like “At The Jazz Band Ball,” “That’s A Plenty” or “Fidgety Feet”—traditional jazz musicians usually don’t make too many variations on the order.