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Un musical basado en canciones de Britney Spears verá la luz en noviembre

Un musical basado en canciones de Britney Spears verá la luz en noviembre
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Asian American and Pacific Islander Heritage Month: Allegiance Musical Screening

$100 Asia Society members; $150 Non-members Allegiance (musical) is about a story set during Japanese American Internment of WWII, inspired by the experiences of George Takei during Japanese Internment and the history of Japanese Americans serving in WWII. During the Allegiance musical screening event, we will screen the whole musical, followed by a panel discussion with the cast members, which aims to highlight the importance of diversity and inclusion. Two panels will be conducted on May 28 (Panel 1) and May 31 (Panel 2) respectively. In Panel 1, we will have George Takei (starring Ojii-chan) to share his ideas and thoughts behind the musical and the messages he wanted to deliver. In Panel 2, we will have

A Pandemic Romeo & Juliet Finds A New Language Of Love And Loss - NPR News

Romeo & Juliet on PBS s Great Performances. Image credit: Rob Youngson Stay tuned in to our local news coverage: Listen to 90.7 WMFE on your FM or HD radio, the WMFE mobile app or your smart speaker say “Alexa, play NPR” and you’ll be connected. Why do people still perform Romeo & Juliet? That, to mangle a reference, is the question. It’s not the question because there’s anything wrong with the play or with producing the play or with updating the play; it’s just, genuinely, a question. What makes things last? What makes people want to revisit them over and over? (And please don’t say “quality.” It is sometimes quality, but it is certainly not always quality, and even within the Shakespeare world but certainly outside of it, attempts to correlate greatness of work with cultural penetration and permanence will turn you into a human shruggie emoji.)

A Pandemic Romeo & Juliet Finds A New Language Of Love And Loss

Romeo & Juliet? That, to mangle a reference, is the question. It s not the question because there s anything wrong with the play or with producing the play or with updating the play; it s just, genuinely, a question. What makes things last? What makes people want to revisit them over and over? (And please don t say quality. It is sometimes quality, but it is certainly not always quality, and even within the Shakespeare world but certainly outside of it, attempts to correlate greatness of work with cultural penetration and permanence will turn you into a human shruggie emoji.) Perhaps it s because a story of love and hate and the awful work of trying to beat the latter with the former always feels timely. And so it does now, as

Review: Josh O Connor And Jessie Buckley Lead A New Romeo And Juliet : NPR

toggle caption Rob Youngson/PBS Jessie Buckley and Josh O Connor as Romeo and Juliet, and Lucian Msamati as Friar Laurence, in the new Romeo & Juliet on PBS s Great Performances. Rob Youngson/PBS Why do people still perform Romeo & Juliet? That, to mangle a reference, is the question. It s not the question because there s anything wrong with the play or with producing the play or with updating the play; it s just, genuinely, a question. What makes things last? What makes people want to revisit them over and over? (And please don t say quality. It is sometimes quality, but it is certainly not always quality, and even within the Shakespeare world but certainly outside of it, attempts to correlate greatness of work with cultural penetration and permanence will turn you into a human shruggie emoji.)

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