Presenting Chowdhury as one of the flag-bearers of the mid-20th century Indian modernism, the show attempts to trace how the artist has been willing to encounter the signs of human angst from his early works.
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Why is he still so intrigued by opium? ‘The plant has consistently out-thought, out-manoeuvred us,’ he says. ‘It s still playing a role in how history unfolds.’