writing. the very first day of the very first session peter, when you get to the bridge, you played a wrong note there. it s an f, not an e, whatever. oh. he took me to the vocal booth. there was nobody in there. he said, you know, i don t want you to ever out me in front of the band. and furthermore, i don t even want to play bass anymore. you re going to play the bass. peter was unhappy in the group. and then the double whammy was we just clicked. it was fortunate and unfortunate all at the same time, but we became a power couple within the group. hard to say i m sorry which was the big first hit emerges from a movie soundtrack called summer lovers. everything fell in place. we all went to the premiere. peter and i are sitting next to each other. we ve written the song. he s singing it. we re so excited. the end title comes on, it starts out. you can hear it, really nice.
at the top of his game. i don t know what jimmy guercio s contribution was to those early albums, but i suspect that that sound that they had, he just had to harness the sound and like hang on for dear life. i don t think he was hands-on the way i was, getting there and playing and arranging and writing. the very first day of the very first session peter, when you get to the bridge, you played a wrong note there. it s an f, not an e, whatever. oh. he took me to the vocal booth. there was nobody in there. he said, you know, i don t want you to ever out me in front of the band. and furthermore, i don t even want to play bass anymore. you re going to play the bass. peter was unhappy in the group. and then the double whammy was we just clicked. it was fortunate and unfortunate all at the same time, but we became a power couple within the group. hard to say i m sorry which was the big first hit emerges from a movie soundtrack called summer lovers. everything fell in place.