remains common and has gotten worse in the wake of the economic crisis the crisis has led to increasing exploitation because one of the effect of the cries is doesn t been just like cutting on social services lowering wages and so on but also lengthening of the one thousand time working hours the number of people that work more than forty eight hours so we has increased by mean years after the crisis when we talk about exploitation we have to talk about working conditions of chinese workers and bangladesh seamstresses if we look at the struggles of workers. at the fox school and in china who protested against the new month conditions in the factories they actually kind of make these are relations that are behind our commodities music but if we go to an opposite door here the people in it they are always saw no pay. it worked so the awareness can actually link
a student so we can help this old pair of pants have a new lease on life but even for him. the finished products reveal nothing of their origins as old pants sustainability isn t the only factor motivating the two entrepreneurs a textile designer and a cultural scientist social criteria motivate their choice of employees as well as the summer you might call it a reawakening we believe that nothing comes to an end people who might never have worked a seamstresses before but have a talent for it can do it if only they re encouraged supported and empowerment we also believe no material is trash until you see it is trash in focus as most of the tough. the denim preferably from the thighs section of old jeans is cut into strips and used for instance to make pillowcases. this model sells for some ninety year olds. by now because some people say our products are expensive
steep textiles from bikini faso are more expensive in part because the country s phased out cultivation of genetically modified cotton which just didn t live up to quality standards for the buck in avi s are seeking markets abroad one entrepreneur has started up a website to sell traditional clothing and olders off flooding in from abroad all the fabrics here are made by hand every item is unique seamstresses so pillowcases suits and dresses the designs are developed by the boss herself. and they ve been so successful that they sell as far away as europe the fabrics are made of one hundred percent organic cotton so good a sheltered affair. what i m working on right now is intended for rome the people there are very interested in the material where it comes from how it s made and the aesthetics of the material to. see. that makes my team film is
do must because if you are a stage performer you have to make yourself larger than life that s what makes you a star some star. these are swarovski crystals and here are some of the embroidery samples. in the seamstresses used to send lots of samples back and forth marlena would inspect them and suggest improvements. but even feathery costumes like this with thousands of sequence were not enough for the trash she demanded more illumination for maximum visual impact.
life that s what makes you a star. these are swarovski crystals and here are some of the embroidery samples. marlena and the seamstresses used to send lots of samples back and forth marlena would inspect them and suggest improvements off the end. of. the. movie. but even feathery costumes like this with thousands of sequence were not enough for the trish she demanded more illumination for maximum visual impact.