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so that s how we know that it was 24 minutes. so it s about 1:48 and they re walking down this hallway together, and they enter the dutch room. which is right there. exactly. and from the dutch room, they took six pieces. reporter: including the rembrandts. the three rembrandts, the verify near, the flank and the chinese vessel. reporter: the real work had begun for the thieves. but as they get ready to remove rembrandt s storm on the sea of gal aly, his only sea escape, a high-pitched alarm sounds. pulitzer prize winning reporter steven kirkgin has investigated this case for the boston globe for decades. he says this alarm was designed to keep visitors from getting too close to the rembrandt. that sea escape, even if you look at prints of it now, images now, you will see a vision, an etching of rembrandt himself. art experts, art specialists, common folk, knew that.
galaly, his only sea escape, a high-pitched alarm sounds. pulitzer prize winning reporter steven kirkgin has investigated this case for the boston globe for decades. he says this alarm was designed to keep visitors from getting too close to the rembrandt. that seascape, even if you look at prints of it now, images of it now, you will see a vision, an ex-ing of rembrandt himself. art experts, art specialists, common folk, knew that. and they would come up and they would put their finger close to, point out the image of rembrandt. and if they got too close, then the alarm would sound. reporter: like the motion detectors, this alarm was not
reporter: including the rembrandts. the three rembrandts, the veneer, the flank and the chinese vessel. reporter: the real work had begun for the thieves. but as they get ready to remove rembrandt s storm on the sea of gal aly, his only sea escape, a high-pitched alarm sounds. pulitzer prize winning reporter steven kirkgin has investigated this case for the boston globe for decades. he says this alarm was designed to keep visitors from getting too close to the rembrandt. that seascape, even if you look at prints of it now, images of it now, you will see a vision, an ex-ing of rembrandt himself. art experts, art specialists, common folk, knew that. and they would come up and they would put their finger close to, point out the image of rembrandt. and if they got too close, then the alarm would sound. reporter: like the motion
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