a traditionalist, who cares deeply about the past, but unusually for a traditionalist, he is also obsessed with the future. and that is the key that many people who know him well talk about, that he is deeply concerned with the way the future is shaped, and yet, to him, there is no contrast between that and an absorption in the best of the past, and what it delivers, as he would see it, two generations today, and we see that past represented before us here in west parliament square outside the kirk of st giles, the household cavalry, and music. and we are hearing some wonderful music today. this is a composition which the king is very involved in choosing. it includes three scottish traditional tunes, choosing. it includes three scottish
traditionaltunes, dark choosing. it includes three scottish traditional tunes, dark lochnagar and being one. they have been incorporated into a new composition by a composer from incorporated into a new composition by a composerfrom nearby incorporated into a new composition by a composer from nearby dumfries house, which the king has put a lot of time and energy into regenerating. let s hear this.