to rehearse it like a play, - to rehearse it like a play, well, we actually started working, fran and i amjoel, what the outcome of reading and sitting down and rehearsing it, but then the company rehearsed it for about a month before we started shooting. $5 it for about a month before we started shooting. started shooting. as the director started shooting. as the director of started shooting. as the director of the started shooting. as the director of the film - started shooting. as the i director of the film festival told me, audiences will find joel coen s macbeth faithful to shakespeare s original work. they will seattle but very much connects with and imbues closely to the language and the wording of the tragedy of macbeth, but it is refreshed in a certain way, refreshed with some of the people that are acting on screen, working behind the camera.- acting on screen, working behind the camera. with great reviews and behind the camera. with great reviews and talk behind t
people s faces and that is really striking details up close, which is something that a lot of people with shakespeare and macbeth are afraid to do, often with soliloquies, with the monologues, you hear them in voice over, and this really stays with the actors, it stays with the performances, and that is what drives the film.- is what drives the film. more than just seeing is what drives the film. more than just seeing macbeth, i is what drives the film. more i than just seeing macbeth, new thanjust seeing macbeth, new york s opening night brought audiences thejoyous york s opening night brought audiences the joyous experience of connecting after tough pandemic times. we of connecting after tough pandemic times.- of connecting after tough pandemic times. we are all ready to pandemic times. we are all ready to be pandemic times. we are all ready to be here pandemic times. we are all ready to be here and i pandemic times. we are all ready to be here and we i pandemic times. we are
19705. there is a reason filmmakers continue to be drawn to this character and the story. macbeth i5 to this character and the story. macbeth is one of shakespeare s more internal and philosophical plays, making it a naturalfit for the intimacy of cinema. a natural fit for the intimacy of cinema- a natural fit for the intimacy of cinema. t . , ., , of cinema. we have this really intimate view of cinema. we have this really intimate view of of cinema. we have this really intimate view of a of cinema. we have this really intimate view of a man - of cinema. we have this really intimate view of a man who i of cinema. we have this really intimate view of a man who is | intimate view of a man who is not only having his nerve endings deadened a5 not only having his nerve endings deadened as he goes through his 5ort endings deadened as he goes through his sort of murderous course of the play, but he was explicitly conscious about what is happening. so he is like an observer of his own p
titane, alysia s big winner at the account into small, came to new york with its director and star. ., , , , , ., star. told myself, pretend you are doing star. told myself, pretend you are doing a star. told myself, pretend you are doing a little star. told myself, pretend you are doing a little show. - star. told myself, pretend you are doing a little show. this i are doing a little show. this is a weird show, butjust have fun with it. is a weird show, but ust have fun with mi is a weird show, but ust have fun with hi fun with it. there were many tossible fun with it. there were many possible times fun with it. there were many possible times of fun with it. there were many possible times of great - possible times of great performances, a real stand out, benedict cumberbatch and the power of the dog. and some great documentaries, one using animation to chronicle the plight of an afghan refugees fleeing the taliban 25 years ago. and the other, a portrait of the influential
past. so-called scottish play in the hast. ., so-called scottish play in the ast, ., i ., so-called scottish play in the hast. ., ~ ., ., past. you know your own degrees- past. you know your own degrees. orson - past. you know your own degrees. orson welles . past. you know your own i degrees. orson welles directed and starred degrees. orson welles directed and starred in degrees. orson welles directed and starred in the degrees. orson welles directed and starred in the first - and starred in the first significant adaptation of macbeth in i9li8. significant adaptation of macbeth in has. a macabre interpretation, his film featured a grisly execution seen not found in the original play. his significant revisions to the text including the reordering of scenes and the cutting of dialogue angered critics, and the film was not considered a success.- considered a success. pale macbeth! considered a success. pale macbeth! hail considered a success. pale macbeth! hail macbeth! i co