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October 9th, 2011
Over the last two decades Björk has established herself as pop music’s preeminent innovator, a fearless and restless proponent of the avant-garde whose discography defies the staid categorisation of genre. When DiS Kevin Perry meets her on a summer afternoon in West London they talk about her new album
Biophilia, about education, about feminism and Lady Gaga’s outfits, about why she’s like carrot soup and tequila and Coldplay are like chips and sausages , about political activism and aluminum mining and even about the lack of punk spirit in proprietary software, a topic she acknowledges she probably shouldn’t talk about.
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