From then on, a thousand Different Things arose. Is it a sex thing or yes. Its sexual. Completely. There is a desire to get power in order to use it for good. How does it feel Pop Musicians in todays generation, they can rule the world. She loves you, yeah, yeah, yeah, she loves you, yeah, yeah, yeah yeah, yeah, yeah. This is beatleland, formerly known as britain, where an epidemic called beatlemania has seized the teenage population, especially female. Cbs, they do a story on what they probably think is a goofy band from england thats doing quite well. These four boys from liverpool with their dishmop hairstyles are britains latest musical, and in fact, sociological phenomenon. They symbolize the 20th century nonhero, as they make non music, wear non haircuts, give non mercy. Meanwhile, yeah, yeah, yeah, this is Alexander Kendrick in beatleland. Some little girl heard just a hint of what the beatles were about and starts calling her local djay. The local djay asks his friend to bring
no when i m driving in my car and a man comes on the radio, he s telling me more and more about some useless information supposed to buy my imagination i can t get no, no, no, no there was a dialogue going on between soul music and the british invasion. a, because this is a way for me to make a nod to the mainstream. and b, because the songs were good. i can t get no, oh, no, i can t get no, oh, no satisfaction s fantastic. he doesn t even know the words even, he doesn t care. he s just kind of singing the song. keep trying to find me somebody, somebody to love me, get me some action i can t find nobody at the time, motown and the british invasion, they re going hand in hand with sort of redefining what america dances
information supposed to buy my imagination i can t get no no no no there was a dialogue going on between soul music and the british invasion. a, because this is a way for me to make a nod to the mainstream. and b, because the songs were good. i can t get me no oh, no, no i can t get me no satisfaction s fantastic. he doesn t even know the words even, he doesn t care. he s just kind of singing the song. keep trying to find me somebody somebody to love at the time, motown and the british invasion, they re going hand in hand with sort of redefining what america dances
there was a dialogue going on between soul music and the british invasion. a, because this is a way for me to make a nod to the mainstream. and b, because the songs were good. i can t get me no oh, no, no i can t get me no satisfaction s fantastic. he doesn t even know the words even, he doesn t care. he s just kind of singing the song. keep trying to find me somebody somebody to love at the time, motown and the british invasion, they re going hand in hand with sort of redefining what america dances and listens and socializes to. motown, it evolved with the
no no no there was a dialogue going on between soul music and the british invasion. a, because this is a way for me to make a nod to the mainstream. and b, because the songs were good. i can t get me no oh, no, no i can t get me no satisfaction s fantastic. he doesn t even know the words even, he doesn t care. he s just kind of singing the song. keep trying to find me somebody somebody to love at the time, motown and the british invasion, they re going hand in hand with sort of redefining what america dances and listens and socializes to. motown, it evolved with the rest of the world, but we did have to compete with this british invasion for places on the charts. really got a hold on me i said you really got a hold on me