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Freedom under socialism: Essay by Rajaji, 1958

[I had drafted this 4 years ago but accidentally forgot to publish; doing so now] AT the Sastri Hall, at a recent meeting, Mr. Arabindo Basu, Professor of Indian Philosophy at the Durham University, gave a thought-provoking talk on socialism on the background of a recent visit to Israel. Mr. Basu's point was that socialism any…

The JA Jayanth Interview: My eternal quest is to find point where human voice, sound of my instrument become one

Although rooted in Carnatic traditions, Jayanth has a unique sound that often traverses generic barriers, thanks to his early exposure to Hindustani and other forms of music and cross-cultural collaborations. Even when he is playing the most Carnatic-sounding ragas such as Bhairavi and Kamboji, the sound of his flute appears universal and cosmopolitan. It’s both pastoral and urban; and is peaceful, meditative and nuanced. Among the younger generation, he is probably one of the most well-spoken and cosmopolitan artistes. His music has cross-generic influences, he performs across the world, does collaborative work and even have an un-Carnatic sartorial style.

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