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Dear Comrades! review: The brilliance of Andrei Konchalovsky

Print Andrei Konchalovsky’s “Dear Comrades!” dramatizes the deadly events of June 2, 1962, when Soviet government forces fired into a crowd of unarmed protesters in the southern Russian city of Novocherkassk. It took 30 years for the tragedy to be revealed and reckoned with: The bodies were buried in secret and all news of the bloody crackdown was meticulously suppressed, never to be officially investigated and brought to light until 1992, after the Soviet Union’s collapse. Another three decades would pass before the massacre would be memorialized in Konchalovsky’s blistering new film, the latest fascinating object in a career that has swerved unpredictably from Russia to Hollywood and back again. (The movie has been chosen to represent Russia in the Oscar race for international feature.)

Review: Andrei Konchalovsky s brilliant Dear Comrades! brings Russian tragedy into stark focus

Review: Andrei Konchalovsky s brilliant Dear Comrades! brings Russian tragedy into stark focus
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Review: Dear Comrades! is a meticulous historical recreation of a 1962 true Russian crime

Bob Strauss February 2, 2021Updated: February 3, 2021, 2:51 pm A scene from “Dear Comrades!,” directed by Andrei Konchalovsky. Photo: Sasha Gusov, Neon Russia’s official entry for this year’s international feature Academy Award is a film about Soviet forces massacring their own people a true 1962 crime that was covered up for a good three decades afterward. So, things have changed, as “Dear Comrades!” shows us with meticulous historical re-creation, searing anger and devastating pain. But it does so at a time when Russians across that vast nation are protesting in support of imprisoned opposition leader Alexei Navalny, and a month after a mob attacked the U.S. Capitol, which makes the film’s scenes of angry rioters threatening bureaucrats and trashing government buildings look all too recent even despite the film being in ’60s-style, square-framed black-and-white.

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