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When Margaret and her husband, Hal, bought the large Victorian house on Hawthorn Street, they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. But after four years Hal can’t take it anymore, and he leaves abruptly. Now, he’s not returning calls, and their daughter Katherine - who knows nothing about the hauntings - arrives, intent on looking for her missing father. September has just begun, and with every attempt Margaret and Katherine make at finding Hal, the hauntings grow more harrowing, because there are some secrets the house needs to keep.
A creep can be a singular figure, a villain who makes things go bump in the night. Yet creep is also what the fog does - it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it. CREEP is Myriam Gurba’s informal sociology of creeps, a deep dive into the dark recesses of the toxic traditions that plague the United States and create the abusers who haunt our books, schools and homes. Gurba studies the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly distribute suffering and premature death to our most vulnerable. She also examines how we as individuals, communities and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us.
Annie, Edward and their young daughter, Rose, live in a cramped apartment. One night, without warning, they find a beautiful terrace hidden in their closet. It wasn’t there before, and it seems to only appear when their friend Stephanie visits. But every extra bit of space has a hidden cost, and the terrace sets off a seismic chain of events, forever changing the shape of their tiny home, and the shape of the world. TERRACE STORY follows the characters who suffer these repercussions and reverberations. How far can the mind travel when it’s looking for something that is gone? Where do we put our loneliness, longing and desire? What do we do with the emotions that seem to stretch beyond the body, beyond the boundaries of life and death?
In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write. It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer who stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives. But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real. Who, or what, is haunting him? No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does.