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Rajkummar Rao talks about Badhaai Do being underrated; Reveals doing films where his heart was not there

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Paresh Rawal on showbiz moving from plagiarism to homegrown stories: Pagglait, Badhaai Ho wonderful examples

Paresh Rawal on showbiz moving from plagiarism to homegrown stories: Pagglait, Badhaai Ho wonderful examples
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Pagglait Speaks To The Society Of Stereotypes, Shaking Them In The Disguise Of Humour

The main plot is minimalistically simple – A man named Astik Giri’s sudden demise leaves his entire family in a state of grief and shock. By family, I mean his relatives and his brother’s best friend. Sounds simple right? But Sandhya (Sanya Malhotra), who got married to Astik 5 months ago, unlike everyone else, isn’t weeping. A woman not weeping on the sudden death of her husband? A woman not breaking her bangles and not changing into only whites? A new widow who is asking for a cold drink? This isn’t a characteristic, and it isn’t breaking the stereotype. The writer and director, here, didn’t want to show ‘a new face’ of a widow. They just wanted to ask you, ask the audience that is it okay not to bang your head if your spouse dies? If you barely knew him/her.

Review of Parineeti Chopra s Saina vs Sanya Malhotra s Pagglait: Which one won critics approvals

Review of Parineeti Chopra s Saina vs Sanya Malhotra s Pagglait: Which one won critics approvals
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