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Maharana Kumbha, Glory of Mewar, Celebrated 606th birth anniversary

Maharana Kumbha, Glory of Mewar, Celebrated 606th birth anniversary
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Mount abuEklingji templeRasik priya mewarRann kpurMakar sankrantiSangeet ratnakarRai anganGita govindaMaharana kumbhaVidya pramukhVikram samvatCity palace museum in udaipurCity palace museumSood prabandhRasik priyaShilp shastra

For seven decades, Prabha Atre has been questioning her stellar musical legacy while upholding it

The oldest practitioner of the Kirana gharana is often called a rebel, reformer, re-interpreter – and for good reason.

Andhra pradeshGhulam ali khanHirabai barodekarKirana gharanaKishori amonkar bhoopMaru bihagArati kundalkarMilind malsheKirana gharane paramparaSangeet ratnakarAtindra saravdikarAamir khanPrabha atreShanta gokhaleKumar gandharvaSureshbabu mane

The Enduring Poetry of the Gwalior Gayaki

Author, Lakshmi Rao with her tanpura(Image by Jigna Desai) Poetry As Sanctuary – A column where we explore poetry as a means of expression for voices of the South Asian Diaspora. “Geetam Vaadyam Tatha Nrityam, Trayam Sangeeta Mucchyate.” This quote from the ancient Sangeet Ratnakar by Pandit Sharangdev, defines ‘sangeeta’, or ‘collective music’, as singing, instrumental music, and dance. De rigeur for many Indian children, I have fond memories of training in Bharatanatyam and Carnatic vocal music myself. While my exposure to playing instruments was limited, I spent time listening to soulful Hindi film songs and singing in the school choir.

Andhra pradeshUttar pradeshMadhya pradeshGeetam vaadyam tatha nrityamSharathchandra arolkarPavel suprunPandit sharangdevTrayam sangeeta mucchyateSangeet ratnakarJohn donneKrishnarao shankar panditVrindavani sarangHassu khanPoetry as sanctuarySouth asianVaadyam tatha nrityam