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Following the ANU COVID-safe plan, registration prior to attending this event in person on ANU campus is required. Participatory art practice where artists involve people directly in the form of their artwork has recently dominated the global contemporary art scene, yet relatively little attention has been paid to this practice in Asia. I look at the work of Indonesian artists, who often make solo studio work and participatory art projects. Social engagement, often politically motivated or aligned, consistently featured alongside individuality in the practices and philosophies of early modernist Indonesian artists. The field was further influenced by the student movement in the 1970s, development discourses in the 1980s, and international educational and environmental movements in the 1990s. Utilising a theoretical framework that is heavily indebted to the Indonesian art critic Sanento Yuliman’s (1941-1992) concept of a continuous “artistic ideology”, I present case studies

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