Through feministic critiques and reclaimings, mainstream mockeries, Reagan-era fear campaigns and Twitter reclamations, the slasher has weathered the storm of controversy and emerged as a recognizable premise that can even be endorsed when introduced in a popular culture saturated with intellectual property and so-called “elevated horror” (as was the case with this year’s X).
Given all we’ve been through these past two-and-a-half years, nothing compares to the horror of real life watching a horror flick on the silver screen. Add to that an election year and people turning into psycho zombies well, some horror films might be considered too tame!