These are not your parents superhero shows.
Some comic-based TV fare stands among today s most critically acclaimed series, whether holding a funhouse mirror up to reality in The Boys, dazzling with cinematic technique to explore a mind shattered by grief in WandaVision or dropping the gloves to take on real-world issues in The Falcon and the Winter Soldier. These shows have the highest of production values, the broadest of reach and the most serious of aims â they re cinematic, conveying emotional, psychological experiences. I m glad genre is starting to get a little bit of respect, although let s be honest, it s always going to be an uphill climb for us, said The Boys showrunner Eric Kripke, whose series might score with Emmy voters who honored Watchmen last year â both are deconstructions of superhero mythos. Any good genre, going back to The Twilight Zone, has a very human, oft times subversive story to tell and it s just cloaked in metaphor.
Martin Scorsese said superhero movies in the Marvel Cinematic Universe don’t convey emotional, psychological experiences. Not everyone agrees.
“I’m glad genre is starting to get a little bit of respect, although let’s be honest, it’s always going to be an uphill climb for us,” said “The Boys” showrunner Eric Kripke, whose series might score with Emmy voters who honored “Watchmen” last year both are deconstructions of superhero mythos. “Any good genre, going back to ‘The Twilight Zone,’ has a very human, oft times subversive story to tell and it’s just cloaked in metaphor.”
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The perception of the genre’s limitations is well-earned; Kripke notes the start of comics in the 1940s, with its simplistic good-versus-evil worldview. Emmy voters of a certain age could have a tough time shaking the “Pow-Biff-Zokk” camp of the 1960s “Batman.” But current superhero TV isn’t just about how Mr. Freeze wants to put Gotham on ice.
Sharon Carter Actress Emily VanCamp Thought Captain America: Civil War Kiss Might Have Gone Too Far
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One of the more divisive moments in the Marvel Cinematic Universe thus far has been, in some ways, one of the most surprising. In
Captain America: Civil War, Steve (Chris Evans) and Sharon (Emily VanCamp) share an unexpected and passionate kiss when Sharon shows up to provide Steve with his shield as well as Sam Wilson s Falcon gear. While there were fans who welcomed the moment Steve and Sharon have frequently been a couple on the pages of comics over the years others were enraged. After all, Steve s true love Peggy Carter (Hayley Atwell) had just died and Sharon was her great-niece. Now VanCamp, who recently reprised her role as Sharon in
Plus, Bucky will never not have to do work, she says.
(Photo by Marvel Studios)
The Falcon and the Winter Soldier ran its last episode last week, but some questions about its finale and themes still linger: from production realities of a series made during the pandemic to whether or not John Walker (Wyatt Russell) is a hero.
Series director Kari Skogland took a few minutes this week to talk with Rotten Tomatoes about the show and some of its facets, including the thinking behind Sam’s gesture for Isaiah Bradley (Carl Lumbly) and the visual tricks used to make Walker’s disposition more ambiguous. She also addressed a rumor about a deleted storyline and outlined some of the ways the COVID-19 pandemic had an impact on completing the show.