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Arnaud Desplechin • Director of Deception

(The article continues below - Commercial information) Cineuropa: You read the text of Deception initially in French, and then later in English. Were you following Roth’s career, and reading each book as it was published every few years? Arnaud Desplechin: I discovered this book quite late – the first one that I read by Philip Roth was Portnoy’s Complaint, when I was a 24-year-old, so rather late. I fell in love with his writing, and I read everything that was published, but I somehow got bored with the translations, and started reading in English. Then, later on, I reread all of the books in French, just for the pleasure of it. I couldn’t wait a year and a half for the translation. And then, after that, I was able to enjoy the French version.

The World After Us by Louda Ben Salah-Cazanas to premiere at the Berlinale

The World After Us by Louda Ben Salah-Cazanas to premiere at the Berlinale Aurélien Gabrielli in Louda Ben Salah-Cazanas has made a promising entrance into the world of international cinema with his debut feature film Having turned heads with his short films, especially Genève (screened in Clermont-Ferrand’s national competition last year), the director’s latest venture sees him putting together a cast comprising Aurélien Gabrielli (who made an appearance in Tout s’est bien passé) and Swiss actress  Noémie Schmidt ( (The article continues below - Commercial information) Written by the filmmaker himself, the story follows in the footsteps of Labidi, a struggling young writer who is trying to publish his first novel after enjoying a minor hit with a short story. Between living in a small room with his roommate and best friend Aleksei and working as a Deliveroo driver to survive, he meets a student called Elisa. Caught up in their whirlwind romance, Labidi dec

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