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Review of film Fukushima 50 « nuclear-news

Fukushima 50 review – simmering tribute to power-plant heroes https://www.theguardian.com/film/2021/mar/08/fukushima-50-review-ken-watanabe-in-simmering-tribute-to-power-plant-heroes        There’s a touch of Hollywood in this dramatised account of the 50 workers who stayed at Fukushima Daiichi in an attempt to avert catastrophe   Phil Hoad, @phlode, Tue 9 Mar 2021  ngerously high concentrations of politeness are observed in this dramatisation of the 2011…

Fukushima 50 review – Ken Watanabe in simmering tribute to power-plant heroes

Fukushima 50 review – Ken Watanabe in simmering tribute to power-plant heroes

Dangerously high concentrations of politeness are observed in this dramatisation of the 2011 disaster at the Fukushima Daiichi nuclear power plant. Not only do most of the heroic “50” left behind to avert nuclear catastrophe constantly apologise for underperforming in acts of barely believable self-sacrifice, at one point a manager begs forgiveness for refusing to allow two employees to re-enter the radioactive zone after a failed first attempt..

A day to remember: Japanese films about 3/11

Mar 4, 2021 The earthquake, tsunami and Fukushima No. 1 nuclear plant disaster of March 11, 2011, have generated dozens of films, fiction and nonfiction, from nearly every conceivable angle. The only other historical event in the modern era covered so thoroughly by Japanese filmmakers is World War II. One difference is that, unlike the many war films that sentimentalize and idealize their heroes (those glorifying the tokkо̄tai suicide pilots being prominent examples), films about March 11 have, by and large, tried to be honest, even when it means showing victims in a less-than-positive light. Some of the filmmakers have spent years getting to know their subjects, enabling them to bring a welcome depth and insight to their stories. While this mostly applies to makers of documentaries, many directors of fiction films have also been forthright and unsparing, doing their own legwork rather than relying on a bestselling novel or other presold property for inspiration the

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