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Tender Mercies movie review & film summary (1983)

"Tender Mercies" won Robert Duvall his only Academy Award in six nominations. It contains one of his most understated performances. It's mostly done with his eyes. The actor who shouted, "I love the smell of napalm in the morning!" here plays a character who wants to be rid of shouting. The film itself never shouts. Its title evokes its mood, although this is not a story about happiness. "I don't trust happiness. I never did, I never will," Mac Sledge tells Rosa Lee, in a scene framed entirely in a medium-long shot that possibly won him the Oscar.

Proč Mick dostal Sue do postele, i když nevlastnil korporát, a proč se už dnes takové filmy točit nesmějí Film Krokodýl Dundee dnes slaví 35 Svět Tomáše Koloce

Proč Mick dostal Sue do postele, i když nevlastnil korporát, a proč se už dnes takové filmy točit nesmějí Film Krokodýl Dundee dnes slaví 35 Svět Tomáše Koloce
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Still rebuilding from last fire, Detroit on edge as new fire burns south of town

Still rebuilding from last fire, Detroit on edge as new fire burns south of town Genevieve Reaume and KATU Staff Still rebuilding from last fire, Detroit on edge as new fire burns south of town Replay Video The area was devastated by the Beachie Creek Fire last fire season. The fire started Monday and the smoke from it could be seen on a weather satellite. It has grown to at least 60 acres, and it is zero percent contained. On Monday, a plume of smoke loomed over the nearby hillside. The damage from last year’s fire was still apparent Tuesday, as evidenced by a charred truck and a scorched tree.

The Way Back is Peter Weir s fantastic final film… for now | Movie News

Master and Commander: The Far Side of the World (2003), 2010’s The Way Back was met with critical acclaim but little box office success and, as of the time of writing, is Weir’s last feature film. Since then? Nothing. That’s genuinely upsetting for fans of Australian cinema, given that the Sydney-born 76-year-old is without a doubt the finest filmmaker this country has produced. That’s an assertion that might prompt the beginning of a pushback, until you realise that even if he had only made, say, Picnic at Hanging Rock (1975) and Gallipoli (1981), he’d have a fair claim on the title. Consider his entire body of work, including the satirical

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