Briarcliff EntertainmentDogman is Joker by way of Robin Hood, Air Bud, and RuPaul's Drag Race, and arguably the most absurd film of this, or any recent, year. Whether it’s offensive is also certainly up for debate. Yet the prime calling card of The Fifth Element director Luc Besson’s latest, which premieres March 29 in theaters following its debut at last year’s Venice International Film Festival, is its unabashed and laugh-out-loud goofiness, which is amplified by the seriousness with which it
Camp was created by marginalized communities, in part to avoid traditional confines of language, and particularly, to escape restrictions of gender, sexuality, and the kind of power and wealth that funds the Metropolitan Museum of Art and puts on its star-studded gala each year.