visible on the horizon lies one of the most important cities of the middle ages the peace of the modern day p. out said day miraki was originally a burial place beyond the city wools the whole complex with its cathedral baptistry and campo santo was bigger. in thirteen hundred. zero zero had the campo son joe was the notches symmetry of the christian middle ages and that s a place where death damnation and redemption played a prominent role here we find a monumental representation of the loves judgment. this powerful fresco must have shocked its contemporaries it begins with the last judgment on the ruffle christ who reveals his wounds and flings his outrage like lightning in the direction of hal this anger is offset by the gentle virgin mary to
is the apostle peter who holds the key to heaven in paradise and on his right is a protective angel. this constellation indicates a new link between apostle and heavenly beings man and angel again come closer to one another despite the evil in the world. or the. who. is the most important message those communicated in the arrangement of angels above the almighty in the mandorla in jesus christ appears to be standing on his hand. the real focus is this small angel smaller than all the other have new figures it represents the new human who of to fighting a lifelong battle against evil is seen by christ to be deserving of redemption and
humanity against evil. little the pilgrims moved within the great knaves as though they were in a parade and looked up into the capitals with their vivid illustrations of the evil in all its incarnations. the second temptation of christ taken from the gospel of luke makes it clear what s happening here christ determination to resist heresy and damage. the suicide of judas shows what happens when someone turns away from god the monumentally impressive knave signified to the believers that only god s words could help against old lease temptations and human weaknesses. am full of oh. oh oh my god have heading southwards with the manton s just
a triumphal procession and the angels bare which. as to it with the symbols of christ s passion. the angel with a crown of thrones was sculpted by many himself the newly sculpted angel stood in the sequence of statues with the apostles peter and paul who were on it as martyrs and the here to proclaim the victory of christendom. the more easily i m of cast out sometimes yellow but always dominated the entranceway to run if people look around now they saw the miracle of saint peter dedicated to the triumph of the holy roman church but this trial was soon called into question by knowledge and science. the battle began for the right to interpret imagery and after bernie s death it was
a series of holy virgins that individual expressions are not important but the series and the number. sixteen prophet stand above them which signifies twelve plus four and the fact that they are placed above the virgins and the martyrs expresses their place in the hierarchy and they re all foraging within christendom . even higher up scenes portraying christ s passion even this position denotes hierarchy order here in rev enter the hierarchy is formulated and translated into a system of images. the beginning and then to this mural are reserved for the key figures of holy scripture mary and christ they are positioned formally alongside each of them are two angels that look out directly on the view of. the angels are the courtiers the body guards of mary