My passion with you. So im on a mission to find out how opera is trying to attract new audiences and reinvent itself. This time i meet sir Antonio Pappano in the run up to the end 0lmert he is taking us Behind The Scenes Notjust he is taking us behind the scenes not just at londons he is taking us Behind The Scenes Notjust at londons old Royal Opera House, but right back to where it all started back. Let me take you to the opera. Just outside cardiff, really looking forward to it. Can i come along and listen to you do that . Of course you could, yeah oh, thank you he speaks welsh. What does that mean . See you in wales. 0k, great, see you in wales. He sings. Bryn s musical education at the Guildhall School of music brought him to london for the first time. He won a coveted place there in 1984 and in his last year he was awarded the schools top music prize, the gold medal. Hello, bryn, i made it to wales croeso i gymru come on, say it, we are in the middle of recording croeso i gymru he
The top of his game. What sir bryn terfel s long and stellar career tells us about how to make opera fit for the future. Let me take you to the opera. He sings in italian. Sir bryn terfel has all the Magic Ingredients it takes to become a world class opera star incredible stage presence, amazing acting range from dramatic to comic, and of course, a rich Bass Baritone voice that enthrals audiences wherever he performs. Im invited backstage ahead of bryns performance in the barber of seville, a comic masterpiece by the 19th century italian composer, rossini. Before getting into costume, bryn warms up his voice. He sings in italian. Hello, it is your make up call. Here now . Yes as if im not already fat enough, ey he plays don basilio, a music teacher whose sole interest is in lining his own pockets. Hello, sir bryn terfel are you here for a singing lesson . I wish you know, i admire people like you who can sing but ijust cant sing myself. I can sing but i cant teach singing so im glad yo
Hello, im john wilson, welcome to this cultural life, the radio 4 podcast in which i talk to leading creative figures about the key moments of their life and the most important cultural works that have fired their imagination and had a profound impact on their own art. My guest is carlos acosta, the cuban born ballet star who, over a 30 year career, is now regarded as one of the greatest dancers of all time, becoming the first black principal of the royal ballet and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage, he set up his own cuban dance company, and is also a director of the berlin royal ballet. Welcome. Lets start in cuba, with your family, your upbringing. A happy childhood . Very happy, i must say, although in the 80s in cuba, our family was i would say, it was poorer than most families but still there was a big big sense of community. It was a good time for cuba anybody could participate, do everything that so
Hello. Imjohn wilson. Welcome to this cultural life, the radio 4 Podcast Series in which i talk to leading creative figures about the key moments of their life and the most important cultural works that have fired their imagination and had a profound impact on their own art. My guest is carlos acosta, the cuban born ballet star who, over a 30 year career, is now regarded as one of the greatest dancers of all time. He became the first black principal of the royal ballet and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage, he set up his own cuban dance company, acosta danza, and is also director of the birmingham royal ballet. Welcome. Lets start in cuba, with your family, your upbringing. A happy childhood . Very happy, i must say, although in the 80s in cuba, still, our family was on the. I would say it was poorer than most families, but still there was a big, big sense of community. It was a good time for cuba anybody c
And set new standards of grace and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage he set up his own cuban dance company, and is also a director of the berlin royal ballet. Welcome. Lets start in cuba, with your family, ballet. Welcome. Lets start in cuba, with yourfamily, your upbringing, a happy childhood . Very happy, i must say, although in the 80s in cuba, ourfamily was i although in the 80s in cuba, our family was i would say, it was poorer than most families but still there was a big big sense of community, it was a good time for cuba, anybody could participate, do everything that society offers, obviously education was free, there was a lot of community parties that brought the community together. I was very restless as a kid and it was in the 80s where the Breakdancing Movement started in cuba and everything, so i was into breakdancing, obviously, later on in my family, my mother started to have some problems and