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© Victor Dmitriev Isn’t it funny how the events (in this case, an interview) that one is oft the most anxious about – turn out to be the best? In my head, there was a minefield of highly explosive subjects to be tip-toed around in my hour-long exchange with the notorious Bad Boy of Ballet, Sergei Polunin. I was anxious, because I intended to tip-toe, before heedlessly diving headfirst to ask the fenced-off ‘dynamite’ questions. First-off about the fist-sized Vladimir Putin tattoo on his chest, the silhouetted head of the leader of the Russian regime, regarded as the No 1 threat to Britain’s national security right now, and secondly, the homophobic ‘self destructive’ tirade he tweeted back in 2019 prompting the Paris Opera Ballet to revoke their invitation for him to perform and the company’s principal to label him a ‘disgrace’. Then there’s his reputation for performing whilst sky high on a cocktail of drugs – or, even,

Khersons ka oblastFrance generalUnited kingdomCity ofLorenzo agiusNatalia osipovaVictor dmitrievDame helen mirrenOleg ivenkoRalph fiennesAlbert watsonDavid lachapelleAnnabel sampsonVladimir putinAntonina mikhaylyukJudi dench