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TIANANMEN SQUARE MASSACRE LEGACY LIVES ON: China’s communist regime would rather we talk about anything else today the 32nd anniversary of pro-democracy protests that were lethally repressed and later erased from official Chinese memory. Hundreds were likely killed, though the death toll remains unknown. “We honor the sacrifices of those killed 32 years ago, and the brave activists who carry on their efforts today,” said Secretary of State
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Why is Omari such an angry young man? A lesser playwright would offer a buzzword equation. White privilege + systemic racism = Black rage. Morisseau doesn’t. Her play doesn’t even define “pipeline.” You either know it, or you get it.
Morisseau’s characters feel like real people. But they’re larger-than-life and burn far brighter. It’s the difference between a flashlight and a laser beam.
L. Peter Callender’s direction honors the playwright’s hyper-reality. His approach to dialogue and physicalization seem natural, never stagey. But he doesn’t shy away from the white-hot intensity of the play’s brightest and darkest moments. When it’s time to go big, he doesn’t play it small. The actors don’t, either.