WRITING IN 1973 for Art International, Douglas Crimp reviewed Blythe Bohnen at New York’s A.I.R. (Artists in Residence Inc.) Gallery, the landmark women’s cooperative that opened in 1972, of which the artist was a founding member. That same year, she completed her MFA at Hunter College and was included in the “Annual Exhibition: Contemporary American Painting” at the Whitney Museum of American Art. “Brushstroke,” the near-taxonomic series that Bohnen had started in 1968 and which included 48 Brushstrokes, 1971, a matrix of gesture, instantiated and recalled, that was reproduced on the announcement
In Praise of Joseph Masheck, Art Critic
counterpunch.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from counterpunch.org Daily Mail and Mail on Sunday newspapers.
Clemente to Marden to Kiefer: Remembering Peter Schjeldahl
villagevoice.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from villagevoice.com Daily Mail and Mail on Sunday newspapers.