push up. when we met ronnie goodman, he was in his seventh year of a ten-year sentence for burglary. i started drawing when i was 6 of or 7 years old. my cousin, he drew a picture of batman and i was like what is that? you know, i was it was like magic trick. and then he started teaching me how to draw. and after that, i just i never stopped. unfortunately, goodman s love of art wasn t enough to save him on the outside. i started using drugs. i started being self-destructive. didn t care about who i am as a human being. i was basically homeless and struggling life in general. but? prison, goodman rediscovered his
in a mystique that is fed by the fortress-like architecture and an infamous history dating back to 1852. the first time i walked into san quentin, it looked like a place where time forgot. it was like an old movie. the walls were crumbling and it was dark and depressing and the cells were stacked on each other one by one, packed with people and had the most creepy feeling you could imagine. while san quentin produces images that are haunting to some, there others who find inspiration beneath the facade. the most interesting part about this that i see is the weeds growing up out of the cracks. i always find that interesting because you got life that always seems to push up. when are we met ronnie
goodman, he was in the seventh year of a 10-year sentence for burglary. i started drawing when i was 6 or 7 years old. my cousin, he drew a picture of bat man and i was like what is that? it was like a magic trick. he started teaching me how to draw and after that i just never stopped. unfortunately goodman s love of art was not enough to save him on the outside. i started using drugs and being self-destructive and didn t care about who i am as a human being. basically homeless and struggling with in general. in prison, goodman rediscovered his passion. a friend of mine had shown me in prison what you try to create work pertaining to your life. i was fighting in.
unfortunate line of duty death. reporter: it started out being a textbook fire then the last transition i heard was that there was zero visibility and they were trying to find the fire. we found the fire second level. moving in with a hose line right now. then we didn t hear from the crew of engine 26 again. reporter: a second crew found firefighters lieutenant vince perez and anthony valerio. an emergency alarmed goes offer when the firefighters wearing it stop moving after 15 seconds. this alarm went off and that s what let the firefighters know that both vince and tony valerio were down. so they went towards the sound of the alarm and as they went through the smoke, they saw a flashlight aiming at the ceiling. and even, you know, having that indicator they went towards it and they still couldn t the smoke was so dense, they still couldn t see what they were going in, tripping over one of the guys. that s how they found them. this is the 26. you copy? a man d