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A design-led city: The best of Lisbon s arty hotels and restaurants
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These Clay Ovens Are Bringing Comfort to Migrants at the Border Danielle Bernabe © Provided by Food & Wine Courtesy of Alight
At Casa de la Misericordia, a refugee shelter in Nogales, Mexico, a familiar memento reconnects its residents with community. It roars with warmth, nourishment, and family
. It unites despite the very division in front and behind them. The horno, a clay oven shaped by hand, is reshaping those it feeds.
Alight a humanitarian-aid organization working with displaced and marginalized communities worldwide calls a tool like this
Pedacito de la Tierra, or A Little Piece of Home. The initiative launched in November 2020 and resulted from partnerships with Burners without Borders, renowned architect Ronald Rael, Catholic Sisters, and food educator and scientist Charles Michel, to restore dignity and hope for those seeking asylum. In a short film by Lina Plioplyte and Kai Schoenhals, the introduction of the horno shares a narrative about b
Week in Tech: A 3D-Printed Concrete Bridge with Zaha Hadid Architects
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Photography by Bruno Lopes
What does it mean to live in a “post-global” world? Posing this question – and also answering it – is a new exhibition presented by Lisbon’s MAAT (Museum of Art, Architecture and Technology), named
X is Not a Small Country – Unravelling the Post-Global Era. Curated by Aric Chen alongside designer, curator and educator Martina Muzi, the show compiles nine large-scale installations from international practitioners spanning design, architecture and art. All of which explore a post-global landscape, providing examples of how this new world might look and function.
It’s a vast, detailed and oftentimes dizzying display of the current state of affairs. Previously, the rapid rise in globalisation had accelerated us into new and bountiful territories. Then after Brexit, trade wars, refugee crises and rising nationalism, we were faced with a new hurdle: a pandemic. Travel was disrupted and many switched to digital communications and exchanges; thu
A ladder in front of newly built border wall at Granjeno, on January 2, 2021.
Scott Nicol
Every month for the past decade, Scott Nicol, a 51-year-old artist and activist, has set out from his home in McAllen to roam the Rio Grande Valley in search of ladders used to scale the border wall in South Texas. On a cool and overcast day in early April, Nicol has centered his hunt on an eight-mile stretch of border between the towns of Hidalgo and Granjeno, where an Obama-era wall meets up with a newly constructed piece of Trump’s wall.
The first stop of the day brings him to a dirt field behind a flea market in Hidalgo. A pair of green and white Border Patrol SUVs are parked atop the eighteen-foot-high concrete levee wall, next to a section of bollard-style fence with a closed gate, their noses pointed toward the Rio Grande. Within minutes, Nicol has spotted a ladder roughly halfway up the levee; it’s about a dozen feet long and has only six rungs. “It’s made of cheap, rough wood
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