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Scream bows the Halloween films in 4K, plus our BIG Ultra HD catalog update for the rest of 2021 & remembering Richard Donner July 6, 2021 - 7:14 pm | by Bill Hunt
All right, it’s been a busy last several days here at
The Bits. For one thing, just personally, I had my mother visiting from North Dakota all last week for the first time in over two years given the pandemic. And that was great, but of course it set me back on 4K review work (which I intend to catch up on this week).
I’ve also just spent most of today on the phone with industry sources, gathering information for our big preview of 4K Ultra HD catalog releases that are coming in the second half of 2021. And that’s the crux of today’s post here at
Something was happening to the western in the 1960s and ’70s. The old screen heroes were ageing out and so were their moralities. The Shootist (1976) saw John Wayne confronting his age and mortality, while Robert Altman’s McCabe and Mrs. Miller (1971) and Peckinpah’s Pat Garett and Billy the Kid (1973) cast the western’s classical heroism into an elegiac doubt. This was what came to be known as the revisionist western, a wave of westerns demythologizing, mourning, and critiquing John Ford’s west of good guys in white, bad guys in black, cowboys and Indians. Meanwhile from out of Italy came the so-called, spaghetti westerns, notably those of Sergios Corbucci and Leone, themselves already a kind of cynical deconstruction of the traditional western which replaced morality with greed and heroism with brutality.