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How Pose Made Great Art Out of Excess With Wedding Episodes Daniel D Addario, provided by May 30, 2021 FacebookTwitterEmail Spoiler alert: Do not read this column if you have not seen the May 30 “Something Old, Something New” episode of FX’s “Pose.” “Pose,” the FX series wrapping its three-season run in June, is a show that’s always been comfortable using exaggeration as a sort of wishful metaphor. Consider the show’s first episode, in which Dominique Jackson’s character leads a museum heist in order to ransack historical finery to wear at a ball. The characters, along with their show, use wit and ambition to procure clothes worn by royals, and redistribute them to Black drag artists and trans women. By bending reality, the show reclaimed the visual language of wealth and power. To mention that such a heist seemed unrealistic at best isn’t just not in the spirit of “Pose.” It is irrelevant to what the show was doing.

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