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MC5 as the dog whistles that roused first-generation punk rock into action. Consider the cultural context into which the Dolls came strutting in 1973:
James Taylor is topping the charts, and Richard Nixon is in the White House, as rock bands too stoned to add the “‘n’ roll” to the music’s name played interminable guitar and drum solos to packed arenas. What happened to the flash and excitement of
“Basically, what we wanted out of music was something simple, powerful and sexy, topped with a hook that would just drive you crazy,” Sylvain told this writer in a 1997 interview that ran in a New York Dolls oral history for
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