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The Making of Rodin, Tate Modern review - surrealist tendencies

The Making of Rodin, Tate Modern review - surrealist tendencies | reviews, news & interviews The Making of Rodin, Tate Modern review - surrealist tendencies The Making of Rodin, Tate Modern review - surrealist tendencies The sculptor is recast as a proto-modernist in a show focused on works in plaster by Florence HallettSaturday, 05 June 2021 Auguste Rodin, Plaster and terracotta limbs, or giblets as the artist called them, c.1880-1917 Musée Rodin . Photo © agence photographique du musee Rodin - Jerome Manoukian Undoubtedly the strangest thing in this exhibition dedicated to Rodin’s works in plaster is a rendition of Balzac’s dressing gown, visibly hollow, but filled out nevertheless by the ghostly contours of an ample male form.

France generalUnited kingdomOhta hisaEdward steichenCamille claudelBritish museumInternational surrealist exhibitionRodin headWalking manAncient greeceபிரான்ஸ் ஜநரல்ஒன்றுபட்டது கிஂக்டம்காமில் கிளாடெல்பிரிட்டிஷ் அருங்காட்சியகம்நடைபயிற்சி மனிதன்பண்டைய கிரீஸ்

Auguste Rodin: Everything you need to know

Auguste Rodin: Everything you need to know Auguste Rodin: Everything you need to know RD: How would you describe Auguste Rodin’s artwork to somebody completely unfamiliar? HO:Auguste Rodin (1840–1917) is a figurative sculptor, probably best known for his monumental works in bronze and marble. One of his most iconic sculptures is The Thinker, 1881 which will be included in the [upcoming Tate] show. However, this exhibition will focus on a different side of his practice: looking at his works in plaster. It will offer visitors an opportunity to explore lesser-known facets of his iconic works, as well as completely new discoveries.

France generalFranche comtérHelen omalleyRainer maria rilkeVictor hugoLouis daguerreAuguste rodinTate modernAssistant curator heleno malleyThree shadowsRodin the three shadowsTragic museRodin the tragic museEcole des beaux artsRodin headUniversal exhibition

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