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Tess Jaray: I wanted to make space, to make something that you could disappear into

Tess Jaray Credit © Turkina Faso In the 60 years since she took a revelatory trip to Italy, Tess Jaray has relentlessly explored pictorial and architectural space through abstract painting. Two exhibitions at the start of this year reflect her enduring engagement with pattern, repetition, colour and structure. At the New Art Centre in Roche Court, UK, she is showing a group of recent works inspired by architectural elements of Piero della Francesca’s frescoes and paintings, and others evoking the patterned roof of St Stephen’s Cathedral in Vienna. Jaray was born in the Austrian capital but grew up in the UK, after her Jewish parents had fled the Nazis many of her family died in the Holocaust. A retrospective,

Orchestra Of St Luke s Presents SOUNDS & STORIES: ANNA CLYNE AND JYLL BRADLEY

Steve Reich - New York Counterpoint J.S. Bach - Contrapunctus I-IV from Art of the Fugue Anna Clyne - Strange Loops (World Premiere) Jyll Bradley, David Ward, Anna Clyne - Woman Holding a Balance (World Premiere) About Anna Clyne London-born Anna Clyne is a GRAMMY-nominated composer of acoustic and electro-acoustic music. Described as a composer of uncommon gifts and unusual methods in a New York Times profile and as fearless by NPR, Clyne s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians. Clyne has been commissioned by a wide range of ensembles and institutions, including BBC Radio 3, BBC Scottish Symphony, Britten Sinfonia, Carnegie Hall, Chicago Symphony Orchestra, Houston Ballet, London Sinfonietta, Los Angeles Philharmonic, Seattle Symphony, and the Southbank Centre. Her work has been championed by such world-renowned conductors as Pablo Heras-Casado, Riccardo Muti, Leonard Slatkin, André de Ridder, Esa-P

Gagosian presents an exhibition of new works by Edmund de Waal

Gagosian presents an exhibition of new works by Edmund de Waal Installation view of Edmund de Waal: some winter pots, 2020 © Edmund de Waal. Prudence Cummings Associates. Courtesy Gagosian. LONDON .-Gagosian is presenting an exhibition of new works by artist and author Edmund de Waal, made during lockdown earlier this year. This is the first time in sixteen years that de Waal has made single works that are not parts of installations. They are specifically designed to be touched and held in the hand. De Waal comments, “I made these pots in lockdown during the spring and early summer. I was alone in my studio and silent and I needed to make vessels to touch and hold, to pass on. I needed to return to what I know—the bowl, the open dish, the lidded jar. When you pick them up you will find the places where I have marked and moved the soft clay. Some of these pots are broken and patched on their rims with folded lead and gold; others are mended with gold lacquer. Some hold shar

Landmark new commission by Nathan Coley revealed on Liverpool s World Heritage Waterfront

Landmark new commission by Nathan Coley revealed on Liverpool s World Heritage Waterfront From Here, 2020, by Nathan Coley, St George’s Dock Pumping Station, Mann Island, Liverpool © Photography by Mark McNulty. LIVERPOOL .- The installation From Here, 2020 is a co-commission between Liverpool Biennial and Culture Liverpool and is the latest in a series of high-profile outdoor artworks on the waterfront following 2018’s Liverpool Mountain by Ugo Rondinone. The text-based light sculpture is made up of the words From Here, All the Worlds Futures, From Here, All the Worlds Pasts. Inspired by the writing of German philosopher, Walter Benjamin, and acknowledging the curator, Okwui Enwezor’s influential exhibition All The World’s Futures at Venice Biennale 2015, Nathan Coley’s expansion of the phrase presents a new meaning that reinforces the power of Liverpool as a place, its history and speaks to the hope for the future.

Locked up in 2020: The criminals put behind bars in the past 12 months

Locked up in 2020: The criminals put behind bars in the past 12 months While the UK spent much of the year in lockdown judges at Newcastle Crown Court remained busy delivering justice to North East crooks Sign up for our regular free newsletter for court stories sent straight to your inboxInvalid EmailSomething went wrong, please try again later. Subscribe When you subscribe we will use the information you provide to send you these newsletters. Sometimes they’ll include recommendations for other related newsletters or services we offer. OurPrivacy Noticeexplains more about how we use your data, and your rights. You can unsubscribe at any time.

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