As multiple sitcoms have shown us, the workplace is ripe for comic treatment. And if corporations are legally “people,” why not satirize their shortcomings as well as their employees’? In
No cookie-cutter show: Personal stories shape Syracuse Stage’s ‘Home for the Holidays’ (Review)
Updated Dec 19, 2020;
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In story and song we’re told “there’s no place like” it, but for many in Covid America, this will be the first season they’re unable to return “home for the holidays.” But here’s the rub: for essential workers and creatives like actors, singers, dancers, musicians, and other performers home for the holidays has rarely been an option, the former providing necessary services, the latter entertaining us during this most wonderful time of the year.
“Home for the Holidays” is Syracuse Stage’s winter-white rabbit pulled out of the proverbial hat, a brave Mickey Rooney-esque “kids, let’s put on a show!” song-and-dance production. This 85-minute video on demand, which began streaming Dec. 15, covers the gaping hole left by the last-minute cancellation of “Miss Bennet: Christmas at Pemberley,” a worst-case scenario